#finearts 585.800K Posts

#gallery_at_house كولكشن من الانتيكات والتحف المودرن والكلاسيك .. جاليرى ارت هاوس موجود في : دمنهور شارع عبد السلام الشاذلي خلف مؤمن الفرع التاني: دمنهور شارع عبد السلام الشاذلي امام مدرية الامن القديمة امام محل ميراج #arthouse #art #arts #antika #steel #modern #classic #fineart #finearts #pastel #gallry
Placa artesanal pronto para montar... Em angelim reaproveitada porque tem que durar no tempo curitibano! #marcenaria #woodwork #placasdecorativas #reclaimedtimber #feitostão #finearts #artecwb
http://heloisabomfim.com/blog/cortesa-segundo-eisen-1887/ “Cortesã” (segundo Eisen), 1887, dimensão 105,5 x 60,5 cm, Museu van Gogh, Amsterdã. Continuando a apresentação das obras menos populares de van Gogh, esse gênio da pintura, ávido por conhecimento, estudou a fundo a obra dos impressinistas e descobriu a influência das gravuras japonesas nesse movimento, admirava particularmente a qualidade do desenho dessas pinturas, citando: “ Os janponeses desenham depressa, muito depressa, à velocidade da luz, o que acontece devido ao fato da sua energia ser mais pura e os sentimentos mais siimples”. Van Gogh desejava dar essa mesma velocidade as suas obras, e alcançou isso com uma enorme produção em pouquíssimo tempo de trabalho. Entre 1885-1886 van Gogh adquiriu suas primeiras gravuras japonesas quando estava na Antuérpia, período em que começou a estudar essa forma de arte gráfica. Em 1887 em Paris, pintou a “Cortesã”, obra baseada no trabalho do artista japonês Kesai Eisen (1790-1848). Van Gogh utilizou uma trama quadriculada para ajudar a copiar e aumentar a figura da mulher japonesa, adicionou a sua pintura uma grande moldura ao redor da figura feminina, onde pintou nenúfares e bambus a volta de um lago, com rãs “grenuille” em francês, termo na época que fazia alusão as prostitutas. #dicasdesrte #artlovers #finearts #art #arte #_artlovers #historiadaarte #arteecultura #arthistory #art.texts.belgium
Abstrações diversas liberdade de criação /processo criativo diluicões e texturas /Tela Caminhos Diversos tam/ 1.90×80 mm texturas acrílicas série abstrat 2017 @peixearts #atelier #arte #artesvisuais #arquitetasflorianopolis #arquitetas #artedecor #decorandoambientes #decora #decoracaodeambientes #pinturaemtela #instaartista #instaartist #vidaarte #finearts #videoart #artistabrasileiro #artecontemporaneabrasileira #arte #floripacultural
GTA IN TAIPEI 就在昨天,經典遊戲GTA《俠盜獵車手》 AR版由台灣知名搞笑團體「愛國同心會」於台北街頭奮力一敲,搶先宣布在台上市囉!! #artist #comic #design #tattoo #ink #oilpainting #fineart #finearts #artists #photography #插畫 #漫畫 #藝術 #圖騰 #設計 #攝影 #美術 #作品 #展覽 #創作 #畫 #油畫
Look at this amazing vintage print I got of Gainsborough's "The Blue Boy" and this solid stone vase! 😍😍😍 Each was under three dollars. 💖 Bless. 💖 #Goodwill #thrift #reuse #RealRavishly #finearts #Gainsborough #home #decor
No art by @mohammedalani5274 just bottles waiting to be washed. And announcing Connexions @[by'ro] #contemporaryart #art #artist # sculpture # Academy #finearts #Oudenaarde # opening # 30 september 12.00-16.00
FOCUS ON: Mark Krüger (Belgium) www.marckruger.eu Of Danish origin and naturalized Belgian when he was 18 years old. Marc Krüger graduated in Biology and Management at the University of Brussels. He currently lives in Brussels and has been practicing photography since the age of 14. Until recently he has been working for his own company in the Media sector, and since 2012 he devoted himself full time to photography. It is this process of creating mist, decomposition, delicious confusion that the photographer wants to refer to, it is also the image of memories that leave, the passing of time and the impermanence of things. The game of forms attracts Marc Krüger, familiar with the mischievous moving shapes that are made and unmade. The photographic image is not a layer, but a map of the thing. His photography deliberately favors forms at the expense of things and state of things. He is catching life’s intensities, flows, as if to extract the vital essence. __________________ #artists #artoninstagram #artistsoninstagram #acaf #accessibleartfair2017 #accessibleartfair #fineart #adifferentartexprience #artist #photography #artfair #accessibleartfamily #acafamily #emergingartist #artexhibition #belgium #brussels #contemporaryart #art #finearts #exhibition
FOCUS ON: Mark Krüger (Belgium) www.marckruger.eu Of Danish origin and naturalized Belgian when he was 18 years old. Marc Krüger graduated in Biology and Management at the University of Brussels. He currently lives in Brussels and has been practicing photography since the age of 14. Until recently he has been working for his own company in the Media sector, and since 2012 he devoted himself full time to photography. It is this process of creating mist, decomposition, delicious confusion that the photographer wants to refer to, it is also the image of memories that leave, the passing of time and the impermanence of things. The game of forms attracts Marc Krüger, familiar with the mischievous moving shapes that are made and unmade. The photographic image is not a layer, but a map of the thing. His photography deliberately favors forms at the expense of things and state of things. He is catching life’s intensities, flows, as if to extract the vital essence. __________________ #artists #artoninstagram #artistsoninstagram #acaf #accessibleartfair2017 #accessibleartfair #fineart #adifferentartexprience #artist #photography #artfair #accessibleartfamily #acafamily #emergingartist #artexhibition #belgium #brussels #contemporaryart #art #finearts #exhibition
FOCUS ON: Mark Krüger (Belgium) www.marckruger.eu Of Danish origin and naturalized Belgian when he was 18 years old. Marc Krüger graduated in Biology and Management at the University of Brussels. He currently lives in Brussels and has been practicing photography since the age of 14. Until recently he has been working for his own company in the Media sector, and since 2012 he devoted himself full time to photography. It is this process of creating mist, decomposition, delicious confusion that the photographer wants to refer to, it is also the image of memories that leave, the passing of time and the impermanence of things. The game of forms attracts Marc Krüger, familiar with the mischievous moving shapes that are made and unmade. The photographic image is not a layer, but a map of the thing. His photography deliberately favors forms at the expense of things and state of things. He is catching life’s intensities, flows, as if to extract the vital essence. __________________ #artists #artoninstagram #artistsoninstagram #acaf #accessibleartfair2017 #accessibleartfair #fineart #adifferentartexprience #artist #photography #artfair #accessibleartfamily #acafamily #emergingartist #artexhibition #belgium #brussels #contemporaryart #art #finearts #exhibition