Gallery Luisotti

Gallery Luisotti @galleryluisotti

On view | John Divola: Physical Evidence

A selection of four images from the new Vandalism portfolio are now on view at the gallery. #johndivola
Spotted: works by #RonJude & #JohnDivola at @lacma in @hulu's "Casual" season 3 episode 8! 👀 #casualonhulu
John Divola, Physical Evidence #johndivola
John Divola, Physical Evidence #johndivola
Repost from @natgeo, a photo by Simon Norfolk: "101 years ago today...1 July 1916: the first day of the Battle of the Somme...This battle was fought by the armies of the British and French against the German Empire. The first day of the Somme was, in terms of casualties, also the worst day in the history of the British army, which suffered 57,470 casualties." #ww1 #somme
Gorgeous detail of one of John Divola's painterly photographs in their industrial steel frames at the gallery. Photo by Jeff McLane @jmclane. #johndivola @divola
Good art world advice with a Father's Day twist, via the New Yorker
Now on view through September 9 | John Divola: Physical Evidence #johndivola
Gallery Luisotti is pleased to announce the upcoming exhibition John Divola: Physical Evidence. Divola, whose series Abandoned Paintings (2007–08) was featured in the 2017 Whitney Biennial, is known for his visual exploration of abandonment and ruin in the Southern California landscape, and often with a sense of humor bordering on pathos. Physical Evidence will feature two bodies of work, Untitled 1990 (1990) and the Five Prints Portfolio (1987), that may (at first) seem distant from the concerns of his more recent work. However, these two rarely exhibited bodies of work show Divola’s long held commitment to exploring the contradictions of a medium caught between document and artifice. The exhibition is on view from June 17–September 9. The artist's reception is August 5, 6–8 pm. #johndivola @divola
Closing today: the 2017 Whitney Biennial, which features all eight works from John Divola's series Abandoned Paintings. #johndivola #whitneybiennial #whitneybiennial2017 #whitneymuseum
Home—So Different, So Appealing opens tomorrow at LACMA. On view in the exhibition is Christina Fernandez's installation Maria's Great Expedition. This exhibition is the first of the Getty-sponsored Pacific Standard Time: LA/LA exhibitions to open.
Weekend Listening Suggestion: Modern Art Notes Podcast with Tyler Green and Mark Ruwedel. Link in bio! #modernartnotespodcast #markruwedel #nevadatestsite
Ron Jude's Nausea ( @mack_books) is an @interviewmag selection in their monthly Coffee Table Curator feature. Link in bio! #ronjude #ronjudenausea
David Campany's A Handful of Dust exhibition opens today at the Whitechapel Gallery in London. It includes John Divola's Vandalism portfolio among other works. #johndivola @whitechapelgallery @davidcampany
Lewis Baltz, Wonder, from the Venezia Marghera portfolio will soon be on view at the Hessel Museum at @bardcollege as part of Walead Beshty's Picture Industry exhibition.
The gallery will close at 3 pm tomorrow in honor of Memorial Day. #ronjude #lago #ronjudelago
John Divola, Five Print Portfolio, 1987 #johndivola
Blouin Artinfo's Taylor Dafoe interviews John Divola about his current show @maccaronegallery and his work in the Whitney Biennial. #johndivola #whitneybiennial #whitneybiennial2017 #contemporaryphotography #contemporaryart #thegreenofthisnotebook
#regram from @mack_books 📷 From 'Nausea' by Ron Jude • Launch & signing at The Photographers' Gallery Bookshop: Friday, 5pm. • Jude in conversation with curator and writer David Chandler at The Photographers' Gallery: Friday, 6.30pm (tickets via @thephotographersgallerywebsite) • Signing at Photo London, Booth P1 (free entry to publishers' section): Saturday, 2:30pm • Signing at Offprint (free entry): Saturday, 4:30pm • @ron_jude @tpgbookshop @thephotographersgallery @photolondonfair #ronjude #mackbooks #contemporaryphotography #photobook #photobookjousting
That's a wrap. Frieze New York was a total success with record attendance and dozens of people coming to know Ursula Schulz-Dornburg's remarkable life and photographs for the first time. Responses to her installations were enthusiastic and we are delighted to have had the opportunity to put them on. Looking forward to continuing conversations surrounding her work.